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Magazine
1816 ...

by Editor Wicher Bos
Edited and published by Yvette Depaepe, the 11th of april 2025

 

'a sweet moment' by Katie Andelman

 

 

Maybe this year doesn't mean anything to you. It didn't for me either, until I asked ChatGPT to list a Condensed History of Visual Art Composition Techniques and their Connection to Scientific Discoveries.


It responded with a lengthy list of dates and events, for example:

1816 – The first recorded image was invented by Joseph Nicephore Niepce using a sheet of silver-plated copper sensitized with chlorine or bromine fumes in addition to the iodine vapor.” Early steps in photography, or may be just a foreshadowing of it, because the date of Niépce's first photographic experiments is uncertain. Letters to his sister-in-law around 1816 indicate that Niépce had managed to capture small camera images on paper coated with silver chloride, making him apparently the first to have any success at all in such an attempt.


A more interesting item in that list I thought was this one…


1816 – a resolution contrast technique of painting and drawing was invented by Jean-Auguste-Dominique Ingres (1780-1867), who used it to depict faces in high resolution with the rest of the image in low resolution, as for example in his drawing "Mrs. Charles Badham".” “The startling effects of Ingres's paintings—the collapsing of traditional depth and perspective and the presentation of figures "like the figures in a deck of cards"—were criticized in the 19th century but were welcomed by the avant-garde in the 20th century.” Some scolars say “Ingres’ work aligned with 19th-century artistic and technological developments, positioning him as a bridge between classical art and emerging photographic practices.”

 

 

 

About Mrs. Charles Badham

The artwork titled “Mrs. Charles Badham” is a creation of the esteemed artist Jean Auguste Dominique Ingres, dating back to 1816. Executed with pencil on paper, it is a quintessential example of the Neoclassicism art movement, embodying the precision and clarity characteristic of the genre. This portrait is a testament to Ingres’s skill in rendering the human figure with grace and elegance. It is housed at the Hammer Museum, which is associated with the University of California, located in Los Angeles, CA, USA.
The artwork depicts a gentlewoman seated in a poised and relaxed manner, showcasing the artist’s mastery in capturing the delicate features of her face and the intricate details of her attire. She is garbed in the fashion of the early 19th century, adorned with a hat embellished with ribbons and floral accents. The attire includes a shawl draped gracefully over her shoulders and a dress with discernible folds, exuding a sense of fluidity and textile realism. Ingres’s attention to the subtleties of light and shadow imparts a softness and depth to the portrait.
The backdrop offers a faint outline of a classical architectural landscape, a nod to the timeless elegance of antiquity favored during the Neoclassic period. Although this setting is rendered with less detail than the subject herself, it compliments the figure by infusing the scene with a sense of place and historical context. The interplay between figure and background in the artwork helps to focus the viewer’s attention on the subject while still situating her within a broader narrative of cultural and artistic heritage.



As photographers, we are so used to 'depth of field' as a tool in our artistic toolbox that it never occurred to me that this artistic technique was actually invented.
I tried to find examples of this technique with a portrait style in the 1X image vault...

Below are the ones I found, but I may have missed yours. Feel free to add them in the comments section as a new reference.

Please enjoy.

Wicher

 

'Lost in Thought' by Paul 

 

 

'dry season II' by Sebastian Kisworo

 

 

'Pipe Smoking Man' by Chun H. Chang

 

 

'Passionata' by Marc Apers

 

 

'Gaze' by URANUS FILM

 

 

'Glimpse of Childhood' by Elian Coman

 

 

'Echoes of the Samurai Era' by S KANO

 

 

'Waiting' by Khoshro Creative Art Solution

 

 

Cloudy beauty' by oZzie

 

 

'The Midday Stalker' by Alex Tsarfin

 

 

And a different subject with a similar technique:

 

'unplugged' by Roswitha Schleicher-Schwarz

 

 

'Red Squirrel' by Gert J ter Horst

 

 

'Exposed' by David McCracken

 

 

'time' by Alexandros Dalkos

 

 

n/t by Anna Niemiec

 


Of course modern technology enables creating these effects in new ways, just one example…
 

 

'Forever' by Carmine Chiriacò

 

Write
Thank you so much for a very interesting article with beautiful and great photos!
Great article and images. Many thanks!
Thanks so much Yvette and Wicher, very interesting article and beautiful photos. Congratulations to all
Interesting perspective and subject matter Thank you for sharing.
Very interesting photos! Excellent presented. Congrats!
Results Contest - 'BOOKS'

by Yvette Depaepe
Published the 9th of April 2025

 

'BOOKS'
Books are uniquely portable magic. It's a gift you can open again and again.
Books are the treasured wealth of the world. Books are dreams build of paper. They are time travel and escape and knowledge and power. Your photographs should tell bookworm's stories.

The winners with the most votes are: 

1st place : Ramiz Sahin

2nd place : Renate Reichert
3rd place : Giuseppe Satriani

Congratulations to the winners and honourable mentions and thanks to all the participants in the contest 'Humour in Photography' 

 


The currently running theme is 'Environmental portrait photography'
Environmental portraiture is any form of formal portraiture outside the studio, where you are showing more than just the person you are photographing. If you are purposefully placing your subject in an environment then this will add to the story you are telling and everything about that environment needs to be considered.


This contest will end on Sunday the 20st of April at midnight.
The sooner you upload your submission the more chance you have to gather the most votes.
If you haven't uploaded your photo yet, click here

Good luck to all the participants.

 


1st place by Ramiz Sahin

 

 

2nd place by Renate Reichert

 
 
3rd place by Giuseppe Satriani
 
 
HONOURABLE MENTIONS
 
by Victoria Glinka

 
 
by Francisco Jose Lopez Fernandez

 
 
by Rolf Endermann

 
 
by Fernando Alves

 
 
by Alessandro Traverso

 
 

by Clas Gustafson PRO

 
 
by Tore Johansson
 
You can see the names of the TOP 50 here.  

The contests are open to everybody except to crew members.
Submitting images already published / awarded on 1x is allowed.

AI. GENERATED IMAGES ARE NOT ALLOWED. 
Write
Excellent photographic vision. Congrats !
Congratulations to all winners. Well done
Very well presented! Congrats!
Great work. Congratulations to all authors!
Excellent capture
Wonderful photos, congratulations to all winners
Spectacular photographs
Big congrats to the winners!
Excellent collection and curation of photographs. Congratulations to all winners and to Yvette!!
What brilliant images, congratulations to the authors!
Souvik Banerjee - Discovering the world through his lens

 

by Yvette Depaepe
Published the 7th of April 2025

 

Souvik Banerjee wants to photograph the world surrounding him in its original form to show  the its beauty, to discover people & culture, to immerse himself in the vast splendor and heritage of this earth. He tries to express his beliefs, thoughts and emotions through his images. Life and nature are the two aspects that inspire him the most. Discover his very own vision and work through this interview.

 

 'Wings over Yamuna'

 


Dear Souvik, first of all I would like to thank you for taking the time to answer this questionnaire! To begin, please introduce yourself and tell us more about yourself, your hobbies or other projects you are involved in!
I am an engineer by profession and photography is my passion and serious hobby. I love capturing images of the places and people around me. I am basically an outdoor person and travel a lot due to my office & family needs. This is where I find my ingredient for photography that revolves around travel, people, streets, landscapes, monuments and culture.

 

'Winter mood'


I also love nature in its pristine form and devote much of my thought and energy to energy conservation and sustainability. For the past few years, I have been conserving the small area around my ancestral home in Berhampore, West Bengal, India by planting trees and plants. I have created a small garden around the place and developed a cosy homestay using the unused spaces of my ancestral home. My intention is to preserve the 175 year old house and attract people from the city for photography, nature and heritage walks and excursions around the area. It is listed on Airbnb and serves as an inspiration for relaxation and enjoyment. In fact, much of my aerial photography these days comes from the rural areas near my hometown of Berhampore.

 

'Contrast of civilization

 


When and how did you start your photographic journey?

Basically self-taught, I had done a course in photography from School of Fototechnik, New Delhi. I started photography with a manual Pentax K-1000 SLR camera, which was a gift from my father. During my photography course, I had learnt darkroom techniques and exposure control using manual SLR with negative and slide films. That was over 20 years ago when I graduated and started my career in engineering.
I then moved to Abu Dhabi to pursue my career as an oil and gas engineer. It was then that I picked up a digital SLR camera, a Canon 350D and started shooting with the new technology. I then bought a Canon 7D, then a Canon 5D Mark III and now a few months ago I started using a Canon R6 Mark II mirrorless. I'm also using the Ricoh GrIII for street photography, as it allows for easy snapshots and is easy to carry due to its pocket size. Recently, during my trip to Kyrgyzstan, I bought a DJI drone for aerial photography. Capturing life around me, editing my images and sharing them on social media provides immense opportunities for learning and interaction.

 

'Two friends'


 

For many of us, photography is either a hobby or a way of life. How would you define your relationship to photography?
Photography is a way of life for me. It has shaped my travels and my approach to life on a larger scale, outside the routine drill of office and engineering technicalities. It has also breathed life into my office work when the camera serves as an inspiration to explore new places and unknown corners that I visit during my office tours and meetings.

 

'The cat in morning mood'


When on holiday, the camera has given me the motivation to get up early to capture a stunning sunrise or a majestic sunset. Photography has brought me closer to nature and taught me to appreciate the way of life of the people around me, acting as a medium of interaction with the world I travel through.

 

'Winter Morning by Yamuna'

 

 

'Morning meditation along Ganges'

 


What would you say is the most important experience that has influenced your steps in photography?
Experience is a path and I follow the path that makes me learn. Many times when I am asked what is the best photo you have taken, my answer remains that maybe it will be in my next shoot. So it is a path that I follow in my search for beauty and life, which is the constant guiding light of experience.
A very recent development is my tryst with aerial photography using my drone. It was during my photo tour of Kyrgyzstan that I was introduced to the drone by the accomplished photographer, Mr Subodh Shetty. When he first told me that this tour would be a great experience with aerial photography, I was not sure. I did not own a drone and was not sure if I would buy one and use it. I am more comfortable with still photography and do not have the passion for films and reels that normally leads one to the drones.
But Subodh pushed me and convinced me to buy a drone. I learnt how to operate it from him during the tour to Kyrgyzstan. Now aerial photography is my niche where I enjoy photographing nature from above through it's greenery, nature and graphics. It has added another dimension to my photography as I love discovering beauty from a different perspective and developing my skills.

 

'Patterns of trees'

 

 

'Row of canyons at sunset'

 


You have your own style, but your work is very diverse.  I see street photography, but also great aerial shots. Can you explain why?
Basically, it comes from my love for nature and the existence around me. I like to immerse myself in it. That's why I'm attracted to the street and the life around me. I love to walk and see the world of existence around me. The camera keeps clicking as I look around. Again, the inspiration to see nature has led me to unique points of view. I'm fascinated by aerial photography and have begun to explore the patterns and shapes of our Mother Earth from above. The lush greenery around my home town, with its houses and rivers, provides variety and interest to explore along the aerial path as well as looking deep into life from the road.

 

'Old jewellery shop'

 


What is more important to you, the mood/story behind your images or technical perfection?
The mood of the moment and the place has always followed me on my photographic journey. I don't want to get too caught up in the technical, it's the emotion and the instant spark that always motivates me and drives me through my shots.

 

'sleep time'

 


What is your relationship to your subjects in general, beyond that of an observer?
I always immerse myself in my subjects. Be it nature or the street scenes and the stories behind them. I get into the life of the emotions around me. Emotions of the living and emotions of nature make me think and indulge in them through the language of my images.

 

'Green Earth'

 

 

'Age and colour'

 


Do you prepare carefully the places you want to photograph?
Yes, I do prepare. Usually it is more intuition during the first shot. But then I study the first shots and analyse what went wrong and how I can improve. Then there are repeat visits and planned explorations of a place with my camera. But the emotion and romance with the subject and the image I am capturing remains. Be it my first visit or repeat visits with some prior planning.

 

'Cricket stumps in fog'

 


Describe your overall photographic vision.
The vision of my photography is to see the world around me in its original form, to explore the beauty within, to appreciate the people & culture, to explore the stories behind the life on the streets, to learn history and to immerse myself in the vast beauty and heritage of this earth. I try to realise all of this myself and capture it through my lenses so that my thoughts, beliefs and emotions come to life through my images.

 

'Making the broom'

 


Where do you find inspiration and what inspires you most?
I am inspired by life and nature. These are the two aspects that inspire me the most. I am driven by emotions. I try to express and convey these emotions through my photographic stories. Be it the patterns of nature or the stories of the streets and the life around.

 

'The meandering river'

 

 

'Co-existence'

 


Many people think that the equipment is not very important when the passion for photography is strong. But could you please tell us what equipment you use (camera, lenses, lighting, tripod, etc.)?
I currently use a Canon mirrorless R6 Mark II with Canon 24-105mm f/4L, Canon 50mm f/1.2, RF100-500mm f/4.5-7.1L IS USM, Sigma Art 14mm f/1.8 lenses and a Gitzo tripod. I also use Ricoh Gr.III for street photography. For aerial photography I use DJI Air drone. As I shoot life with available light, I do not use flash in my photography.



What is your favourite photo? Please tell us the story behind it.
One of my favourite photos for a long time is a portrait of my father, which I took in a tram in Kolkata in November 2014. I used to urge my father, now deceased, to go out with me in the mornings on the streets of Kolkata. I had the dual purpose of photographing and spending quality time with my father during my holidays from my work in Abu Dhabi when I used to visit Kolkata. Returning from our morning tour that particular morning, we decided to take a tram back to our home at Shyambazar in North Kolkata. The trams of Kolkata are quite old and a heritage in themselves. After boarding the tram, which was quite empty that day, I got a trigger to shoot inside the tram. It was then that I took some portraits of my father, relaxed after our morning outing, sitting at his window seat enjoying the smooth but slow tram ride through the busy streets of Kolkata. This photograph and the images in my mind will remain with me for the rest of my life!

'Looking back'

 


Who are your favourite photographers or mentors whose work has influenced you and your photography?
In my early days, I was most influenced by the legendary Mr Raghu Rai from India. I used to look for his work on photojournalism as well as his documentation of life. I also admire Steve McCurry for his documentation of life and his stunning portraits and photojournalism across the Indian sub-continent, including Afghanistan. Other legends of photography that I admire and have been inspired by include Ansel Adams who is known for his awe-inspiring landscapes, Henri Cartier Bresson who is often hailed as the pioneer of photojournalism, Yousuf Karsh who is known as a portrait photographer and many more.

More recently, I have admired the work of Daniel Cheong for his stunning cityscapes and nightscapes, especially those shot in Dubai, and Bobby Joshi for his mystical images of nature and moments with light, colour and nature.



Now that we have almost reached the end of this interview, I would like to ask you to tell us about your plans or photographic projects that you would like to be involved in.
A dream project I have in mind at the moment is photography workshops around my hometown of Berhampore in West Bengal, India. I intend to use my homestay in Berhampore, which is already listed on Airbnb, for the stay and take photographers around the place during the day to photograph villages, nature, people, monuments and history that are spread over vast areas near my hometown. Berhampore is very close to Murshidabad, which was the capital of the Nawabs of Bengal, Bihar and Orissa before the British took over India. It is also close to the ruins of Karnasubarna, the capital of Shashanka, the first important king of ancient Bengal who ruled in the 7th century AD and where Hiuen Tsang, the Chinese Buddhist monk and scholar, had visited in the 7th century AD. My intention is to show people the immense potential of my place through photography and to invite photographers from all over the world to have a taste of this wonderful place.

 

'Glowing Hazarduari'

 


Is there anything else you would like to add and what do you think of 1X as a home base for your work?

I would like to express my sincere gratitude to 1x for providing me with a platform to showcase my work and also gain invaluable learning opportunities. It has been a great forum to interact with the masters of photography, to engage deeply with images and to constantly learn. 1x has given me the motivation to move forward with my photography and I am very honoured to have the opportunity to showcase my work through this esteemed interview. Thank you dear Yvette for this wonderful platform and your support.

'The idol Artist'

 

 

'Morning with fishing net'

 

'The traditional sweety seller'

 

https://www.facebook.com/souvik.banerjee.9237

Write
Impressive article and a powerful and beautiful gallery dear Souvik, my warmest compliments.
Thank you so much Arnon for your inspiring words!
Magnificent image, splendid work. Congrats my friend Souvik !!!
Thanks a lot Thierry for your appreciation!
that's inspiring. great to see your work and beautiful interview.
Thank you so much
Beautiful works and vivid article! My best compliments!
Thank you so much for your appreciation
Lovely moments and stories in your images Souvik..my compliments for the feature :)
Thanks a lot Rana for your compliments
Great vision and stories. Love it.
Thank you so much
Thank you so much for a very interesting interview with great photography! It's very inspiring!
Thanks a lot for your feedback
Very interesting interview, wonderful photos collection, what else can we expect, dear Souvik accept my sincerest congratulations and dear Yvette thank you very much for your excellent work here.
Thank you so much for your warm words of appreciation
Great work. Congratulations!!
Thank you so much
A great interview and very beautiful, very individual photos. The variety of motifs is fantastic, and they all tell a story.
Thanks a lot for your wonderful inspiring words.
Excellent interview , beautiful soulful images , most of the images tell a story, congratulations dear Souvik and thanks Yvette for lovely interview
Thank you so much Anita for your in depth view and appreciation
Mei Xu PRO
Love those street and drone shots. Hope I can visit your town someday.
Thanks a lot. You are most welcome at my Home town.
Exciting and wonderful works. Best congratulations
Thank you so much for your appreciation
much remarkable article about you and your photographic career, in addition with a wopnderful selection of your work, congratulations dear friend. Many thanks as usual to Yvette for her work
Thank you so much Hans for your time and appreciation
Featured Exhibition: Nothing Special but I'm Just Me

by Yvette Depaepe
Published the 4th of April 2025

 

This months' featured exhibition is titled  'Nothing Special but I'm Just Me' by Lily Photography


To present his featured exhibition, Lily Photography quotes: 
"This world is full of various things. Sometimes beautiful, sometimes cruel, sometimes strange, sometimes sad....
But the world in which I live is very small. The number of people I can meet and talk with during my lifetime is only a handful in the world.
Please enjoy the world of “LILY PHOTOGRAPHY” created by fusing the personalities and atmosphere of the subjects I have miraculously met in this small world with my own sense of “LOVE” that I have spent a lifetime learning, admiring, and nurturing.
Now, it's show time!"

 

I invite you to explore the personalities Lily Photography shows with his own sense of Love.
This exhibition which will be exposed on our opening page  / 
Gallery during the whole month of April 2025. 
Click here to see the entire exhibition: 
[140] LILY PHOTOGRAPHY

 

To trigger your curiousity, here is a small compilation of images out of this fine exhibition.

 

HE LOVES beautiful things.

 


HE LOVES fashion.
 
 
 

HE LOVES THE WORLD with light shining through.
 
 
 
 
HE LOVES reflections.
 
 
 
 
HE LOVES flat expressions.
 
 
 
 
HE LOVES this strange world.
 
 
 

To know more about this fine artist, please read here the full interview with LILY PHOTOGRAPHY recently published in the 1x magazine.
 
Write
Beautiful expressive and touching images dear Lily, warmest compliments.
Great! images. Congratulations! Lily.
Beautiful images , congratulations dear Lily for lovely interview
Great shots, great creativity πŸ‘πŸ‘πŸ‘πŸ‘πŸ‘πŸ‘
Thanks a lot!
Very creative Artworks !!! Congratulations
Thanks a lot!
Great creativity and superb work ! Congratulations !!!
Thanks a lot!
Great work
Thanks a lot!
Very impressive, Congrats!!
Thanks a lot!
Beautiful photos, congratulations Lily
Thanks a lot!
Thanks a lot!
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Cutlery Stories

The making of 'Spoon and Forks'  by Wieteke de Kogel
Edited and published by Yvette Depaepe, the 2nd of April 2025
Sony Alpha 500  .  Sigma 105mm f/2.8 macro  .  F/5
The reason I started with cutlery was because of my job. I teach mechanical engineering at the University of Twente in the Netherlands and was offered the opportunity to give part of a course about product photography. Previously, I only had experience in photographing insects in our backyard, so I had to practice with objects and lighting: I started with a spoon.
It all started a while ago in my bedroom: a place for me to experiment — with photography, of course! It is a small space and at the time I had very little equipment. My first cutlery picture was of a single spoon and its reflection. I just had a small piece of Perspex (a shiny, milk-white type of plexiglass), a small lamp and some boxes to support the Perspex. By playing around with the spoon and the lamp, I soon discovered that it created an interesting reflection with plenty of symmetry. Through trial and error I eventually found the best position for both the light and the camera to get the best results.

"This picture started with the idea of six or seven spoons lying in a circle, like a flower, photographed from above. That didn’t work; there were no reflections and the lighting was poor."


Once I had discovered the potential of cutlery and their reflections, I started to experiment again (not in our bedroom this time — I had been promoted to the loft!). Some of the pictures were successful, which kept me seeking better compositions. This picture started with the idea of six or seven spoons lying in a circle, like a flower, photographed from above. That didn’t work; there were no reflections and the lighting was poor. Then I tried to do the same with spoons that I had previously done with forks: six spoons in a row, with one fork in between. That didn't work either, but I noticed the reflection of the fork in the Perspex as well as the reflection of the fork in the spoons. That's when I realized that I just needed to play around with the composition and my equipment, especially the size of the Perspex (approx. 8×14" or 20×40 cm), which was difficult to work with because there was barely enough space for the reflection.

For this picture I used a product table, but still used that very small piece of Perspex, which I put on top of the table. Beneath the table I positioned a lamp aiming straight upward (32 Watt, 4300K) with an 11.5" (29 cm) reflector. On top of the lamp I placed a piece of black cardboard with a hole cut out of the center about 2.5" (6 cm) in diameter. The lamp was placed close to the bottom of the tabletop, and the opening of the cardboard was directly beneath the spoon (which was in the middle of the picture).



"The camera was mounted on a tripod a little higher than the table; any higher and I found that I lost the reflection."


The final placement of the spoon was a bit of trial and error — too far back made the bottom of the spoon too dark and too far forward made the background too dark. It was essential to put the forks at the edge of the Perspex so that the horizon was (almost) exactly between the objects and their reflection. The camera was mounted on a tripod a little higher than the table; any higher and I found that I lost the reflection. I used a Sigma 105mm macro lens on my Sony Alpha 500, and I shot the image with an aperture of f/5, a 1/250 second shutter speed and an ISO of 200.

I was looking for a strong graphical form and no color to detract attention from it. I wanted a picture for a wall, maybe in a restaurant, for example (now wouldn’t that be cool?) — a picture people could look at for a while before figuring out what they were actually seeing, since the spoon is not immediately recognizable. Of course lighting is very crucial, especially in this picture; not only for the atmosphere, but to create the right reflection.

"Sometimes you make a picture, and you like it a lot because of the time you spent on it, but that doesn’t mean it is a good picture."


The biggest compliment for an amateur like me is to hear that my work is enjoyed. Sometimes you make a picture, and you like it a lot because of the time you spent on it, but that doesn’t mean it is a good picture. The reactions on 1x.com help me to figure out what’s a good picture and what’s not. This one I felt had potential, and fortunately the viewers thought so too.

Post Processing
Since I always shoot in RAW format, post-processing is necessary, but this picture was simple and looked pretty good straight out of the camera. I used Adobe Camera Raw and Photoshop CS5 to process the image, making only a few adjustments.

1) The biggest problem with my camera is the noise, but Camera Raw handles that perfectly now. I made some adjustments in Noise Reduction, which improved it tremendously.

2) I converted the image to Grayscale (Image > Mode > Grayscale).

3) I then removed some distracting spots with the Clone Stamp tool.

4) Using the Brightness/Contrast tool, I decreased the Brightness in some of the reflections.

Tips
1) Look before you shoot. Try different compositions, move the light, and look from several angles to find the best combination of composition, light and point of view before you make the picture. When you think you have the right combination, then start making the photo and adjust the camera settings until you have the image you are after.

2) In daily life try to figure out with every object you handle whether it would be a good candidate for a picture. How would the object look combined with its reflection? Is the form suitable for the purpose?

3) Photography is like writing with light. I think the lighting is even more important than the composition: it gives a photo something magical. So concentrate on the light. What happens if you move a lamp? What does that do to the shadows or, as in this case, what happens to the reflection?
 
Biography
I am from the Netherlands. What started out as an exercise for my work, by teaching a small introduction into product photography, ended as a photo a bit more artistic than an image of ordinary cutlery. I still have to practice “normal” product photography, with white backgrounds and so forth. Before I had the opportunity to teach product photography, insect macro photography was my main interest. Macro photography makes me feel like a child — a completely new world opens up for me.

See here a selection of Wieteke's more recent "Cutlery Stories"

'Pacman'

 
 
'Black Sunflower'

 
 
'Mine, mine, mine !!!'

 
 
'Spider'
 
Write
A wonderful! idea and very creative artwork.
Outstanding creativity, love it
Great creative work and excellent technique ! Thanks for sharing !!!
Very creative and challenging.
Very creative and challenging.
Mei Xu PRO
Very creative and beautiful!
brilliant work! I admire your creativity!
Thanks for the article. Some beautiful and original photographs. Congratulations to the author.
Very,interesting photo, may I say photo artwork.
Spectacular work. Thank you for sharing.